I have found myself looking back at the many trails of thought currently punctuating my work, and have found a possible connection between the photographs I already have, and the potential of the dymaxion 2D template that I had explored briefly through my work with the Tate in St. Ives. The combination of these two elements would allow for the 2D images to become 3D through folded manipulation- linking back to the use of folding in maps and cartography processes. And having different images on the same net could also allow for a relationship to build between different photos from different locations, fabricating a visual journey between them. Having several of these folded 3D structures could also create a conversation between different images if they are presented in the same space. This could also make for an opportunity to then flatten them down again if I were to photograph the structures; abstracting the image from its original composition.
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AuthorThird Year BA Hons Fine Art student studying at Falmouth University Archives
April 2017
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