BIBLIOGRAPHY
2016-17
ALBERRO, A. et al (1998) Lawrence Weiner. London: Phaidon
ATKINSON, T. (1968) Concerning the Article “The Dematerialization of Art” In: ALBERRO, A., STIMSON, B. (eds.) Conceptual Art: A Critical Anthology. Massachusetts: MIT Press, pp.52-58
BARTHES, R. (1967) The Death of the Author. [Online version, n.d.] Ubuweb. Available from: http://www.ubu.com/aspen/aspen5and6/threeEssays.html#barthes [Accessed 18/10/16] [First published in Aspen 5-6, Item 3]
BLACKSELL, R. (2013) From Looking to Reading: Text-Based Conceptual Art and Typographic Discourse. Design Issues. 29 (2) pp. 60-81.
BOCHNER, M. (2012) Mel Bochner: If the Colour Changes. London: Whitechapel Gallery.
CALVINO, I. (1982) If On A Winter’s Night A Traveller. Translated by William Weaver. London: Picador.
CRAIG-MARTIN, M. (n.d.) Michael Craig-Martin: Early Works. [Online] Available from: http://www.michaelcraigmartin.co.uk/early-work/ [Accessed 20/10/16]
FRY, P. (2009) 8. Semiotics and Structuralism [Online Video] Yale University. Available from: https://www.youtube.com/watch?v=VsMfaIOsT3M [Accessed 05/11/16]
GOLDSMITH, K. (2011) Uncreative Writing. New York: Columbia University Press.
HALLIDAY, M., MATTHIESSEN, C. (2004) An Introduction to Functional Grammar. Third Edition. London: Hodder Arnold.
HENDRICKS, J., BECH, M., FARZIN, M. (eds.) (2009) Fluxus Scores and Instructions: The Transformative Years. Rockslide: Museum of Contemporary Art.
HOLT,N. (ed.) (1979) The Writings of Robert Smithson: Essays with Illustrations. New York: New York University Press.
IMDB (n.d.) Apocalypse Now (1979). [Online] Available from: http://www.imdb.com/title/tt0078788/ [Accessed 20/10/16]
KOSUTH, J. (1969) Art After Philosophy [Online version, n.d.] Available from: http://www.ubu.com/papers/kosuth_philosophy.html [Accessed 05/11/16] [First published in Studio International in three parts; number 915, pp.134-137, number 916, pp.160-161 and number 917, pp.212-213]
KOTZ, L. (2007) Words to be Looked at: Language in 1960s Art. Massachusetts: The MIT Press.
KRANJEC, A. (2013) Thought as a Material: Talking with Mel Bochner about Space, Art and Language. Journal of Cognitive neuroscience, 25 (12) pp. 2015-2024.
LEWITT, S. (1969) Sentences on Conceptual Art [Online version, n.d.] Altx. Available from: http://www.altx.com/vizarts/conceptual.html [Accessed 02/10/16] [First published in 0-9, 5, pp.3-5]
LIPPARD, L., CHANDLER, J. (1967) The Dematerialisation of Art. In: ALBERRO, A., STIMSON, B. (eds.) Conceptual Art: A Critical Anthology. Massachusetts: MIT Press, pp.46-50. [First published in Art International, 12 (2), pp.31-36]
MATTHEWS, H., BROTCHIE, A. (eds.) (1998) Oulipo Compendium. London: Atlas Press.
MORELY, S. (2003) Writing on the Wall: Word and Image in Modern Art. London: Thames and Hudson.
MORTIER, T (2012) Semiotics as Art: Kosuth [Online] Semionaut. Available from: http://www.semionaut.net/semiotics-as-art-joseph-kosuth/ [Accessed 06/11/16]
NATIONAL GALLERIES SCOTLAND (n.d.) Laughing-Crying (from the portfolio Travaux Publics, Public Works) – Douglas Gordon [Online] Available from: https://www.nationalgalleries.org/collection/artists-a-z/g/artist/douglas-gordon/object/laughing-crying-from-the-portfolio-travaux-publics-public-works-gma-4192-h [Accessed 07/11/16]
OSBOURNE, P. (2002) Conceptual Art. London: Phaidon Press.
OSBOURNE, P. (n.d.) Conceptual Art and/as Philosophy. In: NEWMAN, M., BIRD, J. (eds.) (1999) Rewriting Conceptual Art. London: Reaktion Books, pp. 47-65.
PEREC, G. (1997) Reading: A Socio-physiological Outline. In: PEREC, G. (2008) Species of Spaces and Other Pieces. Translated by John Sturrock. London: Penguin Classics, pp. 174-185.
PÉREZ-ORAMAS, L. (2009) León Ferrari and Mira Schendel: Tangled Alphabets. New York: Cosacnaify.
SASSURE, F. (1983) Course in General Linguistics. Revised Edition. London: Duckworth.
SCHIFF, K. (2015) The = in Art=Text=Art. [Online] Artequalstext.aboutdrawing.org. Available from: http://artequalstext.aboutdrawing.org/schiff-talk/ [Accessed 21/10/16]
SCOTT, M. (2013) Tate Debate: When do Words become Art? [Online] Tate. Available from: http://www.tate.org.uk/context-comment/blogs/tate-debate-when-do-words-become-art [Accessed 05/11/16]
SIEGEL, J. (1985) Artwords. Discourse on the 60s and 20s. Michigan: Ann Arbour.
SMITHSON, R. (1996) Robert Smithson, The Collected Writings. Second Edition. California: University of California Press.
TATE (2010) Douglas Gordon – Exhibition at Tate Britain [Online] http://www.tate.org.uk/whats-on/tate-britain/exhibition/douglas-gordon [Accessed 20/10/16]
TATE, (n.d.) An Oak Tree, Michael Craig-Martin: Summary. [Online] Available from: http://www.tate.org.uk/art/artworks/craig-martin-an-oak-tree-l02262/text-summary [Accessed 20/10/16]
THE BROAD (n.d.) Christopher Wool. [Online] Available from: http://www.thebroad.org/art/christopher-wool [Accessed 20/10/16]
THE JEWISH MUSEUM. (2015) Dialogue and Discourse: Mel Bochner and Norman Kleeblatt. [Online Video] Available from: https://www.youtube.com/watch?v=beOp6w8NgoQ [Accessed 19/10/16]
ATKINSON, T. (1968) Concerning the Article “The Dematerialization of Art” In: ALBERRO, A., STIMSON, B. (eds.) Conceptual Art: A Critical Anthology. Massachusetts: MIT Press, pp.52-58
BARTHES, R. (1967) The Death of the Author. [Online version, n.d.] Ubuweb. Available from: http://www.ubu.com/aspen/aspen5and6/threeEssays.html#barthes [Accessed 18/10/16] [First published in Aspen 5-6, Item 3]
BLACKSELL, R. (2013) From Looking to Reading: Text-Based Conceptual Art and Typographic Discourse. Design Issues. 29 (2) pp. 60-81.
BOCHNER, M. (2012) Mel Bochner: If the Colour Changes. London: Whitechapel Gallery.
CALVINO, I. (1982) If On A Winter’s Night A Traveller. Translated by William Weaver. London: Picador.
CRAIG-MARTIN, M. (n.d.) Michael Craig-Martin: Early Works. [Online] Available from: http://www.michaelcraigmartin.co.uk/early-work/ [Accessed 20/10/16]
FRY, P. (2009) 8. Semiotics and Structuralism [Online Video] Yale University. Available from: https://www.youtube.com/watch?v=VsMfaIOsT3M [Accessed 05/11/16]
GOLDSMITH, K. (2011) Uncreative Writing. New York: Columbia University Press.
HALLIDAY, M., MATTHIESSEN, C. (2004) An Introduction to Functional Grammar. Third Edition. London: Hodder Arnold.
HENDRICKS, J., BECH, M., FARZIN, M. (eds.) (2009) Fluxus Scores and Instructions: The Transformative Years. Rockslide: Museum of Contemporary Art.
HOLT,N. (ed.) (1979) The Writings of Robert Smithson: Essays with Illustrations. New York: New York University Press.
IMDB (n.d.) Apocalypse Now (1979). [Online] Available from: http://www.imdb.com/title/tt0078788/ [Accessed 20/10/16]
KOSUTH, J. (1969) Art After Philosophy [Online version, n.d.] Available from: http://www.ubu.com/papers/kosuth_philosophy.html [Accessed 05/11/16] [First published in Studio International in three parts; number 915, pp.134-137, number 916, pp.160-161 and number 917, pp.212-213]
KOTZ, L. (2007) Words to be Looked at: Language in 1960s Art. Massachusetts: The MIT Press.
KRANJEC, A. (2013) Thought as a Material: Talking with Mel Bochner about Space, Art and Language. Journal of Cognitive neuroscience, 25 (12) pp. 2015-2024.
LEWITT, S. (1969) Sentences on Conceptual Art [Online version, n.d.] Altx. Available from: http://www.altx.com/vizarts/conceptual.html [Accessed 02/10/16] [First published in 0-9, 5, pp.3-5]
LIPPARD, L., CHANDLER, J. (1967) The Dematerialisation of Art. In: ALBERRO, A., STIMSON, B. (eds.) Conceptual Art: A Critical Anthology. Massachusetts: MIT Press, pp.46-50. [First published in Art International, 12 (2), pp.31-36]
MATTHEWS, H., BROTCHIE, A. (eds.) (1998) Oulipo Compendium. London: Atlas Press.
MORELY, S. (2003) Writing on the Wall: Word and Image in Modern Art. London: Thames and Hudson.
MORTIER, T (2012) Semiotics as Art: Kosuth [Online] Semionaut. Available from: http://www.semionaut.net/semiotics-as-art-joseph-kosuth/ [Accessed 06/11/16]
NATIONAL GALLERIES SCOTLAND (n.d.) Laughing-Crying (from the portfolio Travaux Publics, Public Works) – Douglas Gordon [Online] Available from: https://www.nationalgalleries.org/collection/artists-a-z/g/artist/douglas-gordon/object/laughing-crying-from-the-portfolio-travaux-publics-public-works-gma-4192-h [Accessed 07/11/16]
OSBOURNE, P. (2002) Conceptual Art. London: Phaidon Press.
OSBOURNE, P. (n.d.) Conceptual Art and/as Philosophy. In: NEWMAN, M., BIRD, J. (eds.) (1999) Rewriting Conceptual Art. London: Reaktion Books, pp. 47-65.
PEREC, G. (1997) Reading: A Socio-physiological Outline. In: PEREC, G. (2008) Species of Spaces and Other Pieces. Translated by John Sturrock. London: Penguin Classics, pp. 174-185.
PÉREZ-ORAMAS, L. (2009) León Ferrari and Mira Schendel: Tangled Alphabets. New York: Cosacnaify.
SASSURE, F. (1983) Course in General Linguistics. Revised Edition. London: Duckworth.
SCHIFF, K. (2015) The = in Art=Text=Art. [Online] Artequalstext.aboutdrawing.org. Available from: http://artequalstext.aboutdrawing.org/schiff-talk/ [Accessed 21/10/16]
SCOTT, M. (2013) Tate Debate: When do Words become Art? [Online] Tate. Available from: http://www.tate.org.uk/context-comment/blogs/tate-debate-when-do-words-become-art [Accessed 05/11/16]
SIEGEL, J. (1985) Artwords. Discourse on the 60s and 20s. Michigan: Ann Arbour.
SMITHSON, R. (1996) Robert Smithson, The Collected Writings. Second Edition. California: University of California Press.
TATE (2010) Douglas Gordon – Exhibition at Tate Britain [Online] http://www.tate.org.uk/whats-on/tate-britain/exhibition/douglas-gordon [Accessed 20/10/16]
TATE, (n.d.) An Oak Tree, Michael Craig-Martin: Summary. [Online] Available from: http://www.tate.org.uk/art/artworks/craig-martin-an-oak-tree-l02262/text-summary [Accessed 20/10/16]
THE BROAD (n.d.) Christopher Wool. [Online] Available from: http://www.thebroad.org/art/christopher-wool [Accessed 20/10/16]
THE JEWISH MUSEUM. (2015) Dialogue and Discourse: Mel Bochner and Norman Kleeblatt. [Online Video] Available from: https://www.youtube.com/watch?v=beOp6w8NgoQ [Accessed 19/10/16]